Category Archives: Dichotomies

Performing Authenticity

You gotta love the title of this paper which first appeared in New Media & Society. It quotes a Twitter user: “I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience”. In the article Alice E. … Continue reading

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They Are Other

Marilyn Dumont The Pemmican Eaters The anaphora would be oppressive if these last three lines were not broken off into a separate stanza. these are not the lines between English and French these are not the lines between oral and … Continue reading

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Rhythm: Seen and Heard

This 1954 book by Langston Hughes with pictures by Robin King provides from its first pages evidence that there was an alternative to the eye-ear dichotomy championed by Marshall McLuhan in the 1960s – a more holistic view of the … Continue reading

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Artefact, Recursiveness, Focus

Anne Carson in Eros, the bittersweet draws on the work of Eric Havelock postulating a shift in the Greek mind with the coming of literacy. She evokes this line of thought in the following terms: At the same time, a … Continue reading

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A Column Electrified

This bit from Hal Foster The Return of the Real: The Avant-garde at the End of the Century has been reproduced with line breaks set at intervals similar to a newspaper column. Out of similar symptoms McLuhan arrives at a … Continue reading

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Fictional Fuels

Dichotomies can sometimes delight. Gass’s essays rarely pursue a single line of thought, and they offer not a progression of ideas so much as an experience, all feints and nuance, and with the argument itself vanishing within the sportive accretions … Continue reading

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Capitalist Splitting

My unfortunate encounter (work-mandatory) with a personality profile tool and its pseudo-science trappings (no it wasn’t Myers-Briggs), led me back, for my own sanity, to tracing out the origins of the split between affect and intellect (which readers of Berneval … Continue reading

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Allergies of the Algebraic

In “The Strategy of Visual Poetry”[Horizons: The Poetics and Theory of Intermedia. 1984.] Dick Higgins establishes a distinction between geometric and algebraic approaches to composition. I know about the difference between arithmatic and geometric progressions. However I am stumped in … Continue reading

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Anchoring Freedom

Mark Doty. Still Life With Oysters And Lemon. I found myself resisting intimacy as portrayed in the workings of breath and keen looking. This gesture of resistance had good reason — it was imitating what the author himself had done … Continue reading

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World-Making Words

Northrop Frye. The Great Code: The Bible and Literature. I am tempted to be seduced by the tale he tells in a before and after fashion … […] when we speak of the subject of a book. These are puns, … Continue reading

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