I like how Willard McCarty captures some of the weathering of the fences and peeling paint; they would make fine wallpaper in a digital setting.
What I also find touching here is the vulnerability of the images: they are themselves impermanent marks of impermanence. The platform housing them could disappear or the account holder might choose to no longer sheltering them. And yet they might get copied, unattributed and dispersed.
And so for day 2892