forever open to semiosis
the all-but-infinite array of potential explanations, illustrations, associations, glosses and exempla, even stories, that may be said to lie not only behind any verbal formulation but also behind any real-world image, scene, action, interaction. Enough said?
John Barth “Click”
The Atlantic Monthly; December 1997; John Barth; Volume 280, No. 6; pages 81-96.
And so for day 2825