Imagine a clacking keyboard throughout the duration of reading this entry.
From the archives and a review of Dianne Bos exhibit at Wynick/Tuck by Thomas Hirschman [“Sensory Deception: Two Shows Play Tricks with Sight and Sound” Now, Vol. 22, No. 41, June 12-18, 2003].
A lot of art stimulates the brain. Some pieces excite the theatre of the mind – where sounds stimulate the imagination to create imagery. At Wynick/Tuck, a body of new work by Dianne Bos takes that a step further, mixing audio with still images to create moving pictures in your head.
The length of each audio recording corresponds to the duration of the exposure. One photo captured three minutes and 33 seconds of a French carousel spinning around and around. The result is photo of a grey blur accompanied by the sounds of merry-go-round music and excited children. Voices and the constant crash of water hitting the pool of a fountain can be heard for one minute and 39 seconds at St. Peter’s Square in Vatican City. The accompanying image shows off the beautiful architecture of the space, its stillness contrasting with the motion of the water.
Looking at the pictures, listening to the ambient sounds, the scenes spring to life. And for the length of time dictated by the exposure of the film, it’s as if you are there.
Or elsewhere. I would argue that there is a décrochage. There is a still photograph and ambient sound. No matter how transported the viewer/listener may be, the sound is coming towards you and the photograph is before you. You are not simply there. You are elsewhere. You never get here.
Stop keyboard clacking.
And so for day 1247