Joseph Curtin. “Stradivari’s Varnish: A Memoir” in Brick 74 (Winter 2004) enumerates a number of reactions
The sheer physical beauty of a great Italian violin excites all sorts of desires in all kinds of people. Violinists want to play them, museums to lock them in climate-controlled display cases, dealers to sell them for fabulous sums, collectors to acquire them for undisclosed sums, and violin makers to build copies that will fool all the above.
And the hero of this story is the fool-maker.
And so for day 735